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Kabhi Alvida Naa Kehna Tumhi Dekho Naa
kabhi alvida naa kehna tumhi dekho naa




















  1. #Kabhi Alvida Naa Kehna Tumhi Dekho Naa Full Of Promise
  2. #Kabhi Alvida Naa Kehna Tumhi Dekho Naa Movie Did Not

The rain pounded down as Dev and Maya sat down. Time Period: Dev and Maya falling in LOVE. Movie: Kabhi Alvida Naa Kehna. The lyrics of the song have been penned by Javed Akhtar.Follow/Fav Tumhi Dekho Naa. Directed by Karan Johar, the music has been composed by Shankar Mahadevan, Ehsaan Noorani and Loy Mendonca. The Tumhi Dekho Naa lyrics from ‘Kabhi Alvida Na Kehna’, starring Amitabh Bachchan, Shahrukh Khan, Rani Mukherjee, Preity Zinta and Abhishek Bachchan.

Tumhi Dekho Naa, from the album Kabhi Alvida Naa Kehna, was released in the year 2006. This provocative drama will be remembered as the affair that ended all affairs.Tumhi Dekho Naa is a Hindi language song and is sung by Shankar-Ehsaan-Loy, Sonu Nigam, and Alka Yagnik. To say this film is thought provoking and serious is actually an understatement. Director Karan Johar tells the tale of human drama superbly with brilliant and persuasive storytelling of stolen glances, telling smiles and shuddering stares. The film stars Amitabh Bachchan, Shah Rukh Khan, Abhishek Bachchan, Rani Mukerji, Preity Zinta and Kirron Kher.If you enjoyed Adrian Lyne’s “Unfaithful” or Ricardo de Montreuil’s “La Mujer de mi Hermano” ( My Brother’s Wife), then you will appreciate Kabhi Alvida Naa Kehna (Never Say Goodbye). Never say goodbye), also abbreviated as KANK, is a 2006 Indian Hindi-language musical romantic drama film written and directed by Karan Johar and produced by his mother Hiroo Yash Johar, in her debut, under the Dharma Productions banner.

kabhi alvida naa kehna tumhi dekho naakabhi alvida naa kehna tumhi dekho naa

It is almost like watching him or her on screen. Suddenly, it occurs to you that you know somebody who is going through the same scenario. The director takes our emotions hostage, forcing us to engage with each character’s pungent emotions in every scene: the confusion, the self doubt, the insecurity, the guilt, the frustration, the sadness ….as if it is a warning signal. Emotionally caustic, what makes this film controversial is its realistic depiction of relationships and the powerful dialogue that not only stings but leaves an everlasting scar. “Are you happy?” he asks.Hauntingly directed, “ Never Say Goodbye” is a cautionary tale of a journey into the seemingly insignificant choices we make and the weight of their consequences.

Yes, Johar with his mastery in storytelling had managed to make us think about our marital relationships, transcending boarders, nationalities or ever cultures. How many of us listen to a friend talking to her husband with indifference and apathy and wonder when is he going to walk out of her life? The depth of character development, shadowed by the impossibility of placing blame, leaves us with sense of values shaken, at the very least, questioning our values rationally conjectured through the changing morals of today’s society. How many of us have been at a wedding knowing this marriage is already over and done with.

Kabhi Alvida Naa Kehna Tumhi Dekho Naa Full Of Promise

Ironic because he is a basket case himself on his way to self-destruction. Sure enough, he becomes her salvation. Sure, Dev is the perfect distraction with full of promise that comes with “I understand you babe” assurance. Samar “Sexy Sam” (Amitabh Bachchan) is Rishi’s father who leaves for the next hump, and Kamal (Kirron Kher) plays Dev’s mother who seem to manage a catering company.Maya is full of self-doubt and her inability to trust herself is what makes her untrustworthy. Depressed and desensitized school teacher Maya (Rani Mukherjee) is married to her childhood friend Rishi Talwar (Abhishek Bachchan), a dashing owner of a PR firm, Kamikaze.

He can’t seem to snap out of his anger of his ending career as a football (soccer) player and the loss of star’s seductive lifestyle. Her glances are like heavy artillery that will disarm any man.Take the self-loathing, sarcastic Dev Saran (played disturbingly by Shahrukh Khan), who has an axe to grind with everyone making him unlikely candidate for an affair. Those eyes, tell a story all by themselves, like a lost puppy in the Big Apple. Her portrayal of Maya with a tangible display of visible emotion is superb. Rani literally writes Maya’s story across her face in an exhilarating and sometimes unsettlingly realistic performance.

If you were eagerly waiting for Samantha Jones’ Sex and the City scene, you will be disappointed. He elects to ignore the elements of sexual chemistry and the notion of impulsive passion. In a brilliant centerpiece, so effectively and carefully does Johar tell a love story, not an affair. Johar is treading thin here he does not want his audience to feel like the characters are in lust. Who has this kind of conversation especially in New York City? What bench was that anyway? While you feel the intense chemistry, there is no explosive emotional scenes to follow (we wish). His encounter with Maya seems random and uneventful at the beginning but something about that scene sits in your psyche: the gesture, her glance, his gaze and the intimate nature of the dialogue.

His successful departure from this stereotype in this role provides the perfect element of dimension to a character we might otherwise overlook. In his long and memorable filmtography, Shahrukh’s roles have always reflected a sense of raw masculine energy, rugged elegance, unwavering confidence and/or a polished style we’ve come to expect. I just wanted the them to have the affair and get me out of my misery.To say this role is a departure for Shahrukh Khan is beyond simplification. The truth is, at the end I was so emotionally exhausted I did not care what the deal was. It is particularly tormenting for those of us who are used to reasoning an affair: sexual fetish, fantasy, boredom, over-indulgent, money, disturbing psycho-sexuality….something! The audience is reduced into guessing clue to this rendezvous. The director takes his time to build the attraction between Maya and Dev stressing the ordinariness of the relationship which strangely makes the motivation for affair seem mysteriously tantalizing.

Kabhi Alvida Naa Kehna Tumhi Dekho Naa Movie Did Not

However, as a hero, he did shake our very foundation. By succeeding in making us uncomfortable, he mastered his trade as an actor and has done his job superbly. No doubt this movie did not go well neither with the audience in India nor his fans. Disturbing indeed, his portrayal of Dev escalating toward infidelity might well go down as one of the most terrifyingly believable scene in Hindi film history. Shahrukh’s attraction to the role would be obvious: the very textured, the intimate and realistic script, the topic itself if not interesting, it is disturbing.

His natural charm, looks and an endearing sense of humor attracts anyone irresistibly….except Maya that is. You can’t help but love and respect the way he played this character. He seems so natural in this character where no dialogue is forced or overacted.

Truth be told, while she is a wonderful actress, this role is far removed from eye-fluttering, flirtatious role she is used to playing. Sure enough he won Best Supporting role in 2006 Global Indian Film Awards, 2007 Stardust Awards as well as Filmfare Awards.I can’t help but notice how well this role suited Preity Zinta surprisingly I might add. The body language enough makes you shudder. Another remarkable and memorable moment in this film is Abhishek’s Oscar performance of the shuddering, raging howl of a breakdown, stunning the movie into silence.

To be number one is her very goal being number two is not an option. “If your husbands leave you, trust me you’re better off”, she says to her colleagues. For a society literally high on sex and high on designer heels taking a queue from Sex and the City, no doubt you will cheer for Rhea Saran, the independent, intelligent, confident metro woman living life seemingly in her own terms. She feels like a New York executive, with arrogance that comes from confidence and full knowledge of self where “I” comes first. I like how she carried herself with dignity until the end.

kabhi alvida naa kehna tumhi dekho naa

You notice the marriage was over long before the affair began.On the upside, apparently this role was given to Rani Mukerji originally.

kabhi alvida naa kehna tumhi dekho naa